Other dates of the STUDIO ROUND 2025:
Edition 2025
Sunday, December 7, 2025 at Frankfurt LAB, Frankfurt am Main
"TNDD STUDIO ROUND" is a presentation and exchange format of TanzNetzDresden, which aims to bring local artists into contact with artists from the respective cities as part of the cooperation with Tanznetz Freiburg gUG, ID_Tanzhaus and TanzZentrale der Region Nürnberg.
FRANKFURTER EDITION
- Tina Halford (Freiburg) with Sergey Poltavsky: a(ROUND)
- Lina Hartmann (Nürnberg): Strings attached
- René Alejandro Huari Mateus (Frankfurt) with Dayelle j. Baszak: Vorstudie zu baby d.eutschland
- Anna Till & Cindy Hammer (Dresden): selected shots
Tina Halford (Freiburg) with Sergey Poltavsky: a(ROUND)
“(a)ROUND” is a dance piece about circling, balance, and the search for beginnings and endings. Two bodies become entangled in a fragile system of continuous motion that feels hypnotic, a physical dialogue with gravity, centrifugal force, and the moment of transformation. A reflection on the strength and fragility of life.
Duration: 17 minutes
Lina Hartmann (Nuremberg): Strings attached
“Strings attached” explores one’s own sense of otherness and the crisis or search for identity. Inspired by the Performer*in’s personal experience with high sensitivity, it negotiates the perception of the senses and of meaning more broadly. Red threads and ropes run through the performance like stimuli, restraints, and safety lines.
Duration: 15 minutes
René Alejandro Huari Mateus (Frankfurt) with Dayelle j. Baszak: Preliminary Study for baby d.eutschland
“Preliminary Study for baby d.eutschland” is a 15-minute choreographic sketch. Two dancers who were not born in Germany and will never be mothers embody both care work and childlike rage. Drawing on current right-wing tendencies among young people in Hessen, such as the neo-Nazi incident at the Liebig School in Gießen and the recent “defensive wave,” an embodied, emotional resistance to fear emerges.
Duration: 15 minutes
Anna Till & Cindy Hammer (Dresden): selected shots
In “selected shots,” Cindy Hammer and Anna Till engage with the choreographic work of the Dresden-based dance company shot AG. For both of them, the creations of shot AG have shaped and continue to shape their own artistic paths.
a rejection of boredom and over-designed beauty
an explosion of absurd ideas and brilliant impulses
a constant getting back up, a continuous refusal, a steady “no”
Powerful female figures turn the world upside down, absurd props cross the space. Precision meets pop-cultural kitsch.
Shake your hair for me, baby!
Energetic, precise, unmistakable.
shot AG
Founded in 2002 by dancers and choreographers Nora Schott, Ariane Thalheim, and Petra Steinert together with their permanent base, the TENZA-Schmiede, as an ensemble for contemporary dance in Dresden. Since then, they have created a number of evening-length productions and many short choreographies. Collaborations and guest performances have taken shot AG to numerous theatres across Germany and abroad, including Rotterdam, Ljubljana, Koper, Rome, and Bari. In 2007, shot AG received the Advancement Award of the City of Dresden. Jury statement: “This award honours a company whose diverse and progressive work is of great significance for Dresden’s contemporary dance scene.”
- Saturday, September 27, 2025 at TENZA, Dresden
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Chiara Fersini: Erva ientu – wildflower (Nürnberg)
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Diana Gill: In Between // Zwischenräume (Dresden)
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Vilma Ehnberg & Pauline Michel: rock bottom (Frankfurt)
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Mara Hache & Jana Burianová: The Way She Plays (Freiburg)
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- Friday, October 10, 2025 at Tanzzentrale der Region Nürnberg
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Chiara Fersini: Erva ientu – wildflower (Nürnberg)
- Kammy Lau: Learning something new from scratch after growing up (Dresden)
- Magdalena Weniger: Layers of Ash (Freiburg)
- Maria Kobzeva: Maybe We'll See (Frankfurt)
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- Saturday, November 29, 2025 at H15, Freiburg
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Jack Bannerman mit Helene Schuhknecht und Gavin Law: Soft Animals (Dresden)
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kemelo nozipho sehlapelo: A native Princess sitting Pretty (Frankfurt)
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Virginia Breitenbaumer und Donya Ahmadifar: Between Drums and Popping (Dresden)
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Lina Hartmann: Strings attached (Nürnberg)
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Das Format "STUDIO ROUND" ist Teil der Projektmaßnahme "ROUNDABOUT" von TanzNetzDresden, ID_Tanzhaus Frankfurt Rhein-Main, dem Tanznetz Freiburg und der Tanzzentrale der Region Nürnberg.
Unterstützt durch das NATIONALE PERFORMANCE NETZ – Impulsförderung Tanz & Theater – gefördert von der Beauftragten der Bundesregierung für Kultur und Medien sowie den Kultur- und Kunstministerien der Länder.
Diese Maßnahme wird mitfinanziert durch Steuermittel auf der Grundlage des vom Sächsischen Landtag beschlossenen Haushaltes.

STUDIO ROUND - FRANKFURT EDITION
A cooperation between
ID_Tanzhaus Frankfurt Rhein-Main⎜TanzNetzDresden⎜Tanznetz Freiburg
Friday, December 13, 2024, 8 p.m.
Z - Zentrum für Proben und Forschung, Schmidtstr. 12, 60326 Frankfurt am Main
Program of the Frankfurt edition on 13.12.2024
Cindy Hammer (Dresden)
MELANCHOLIC MARATHON
Performance: Cindy Hammer
Cindy Hammer presents excerpts from the 2023 solo performance "MELANCHOLIC MARATHON". An insight into the work on a multi-layered, elusive emotion. The 15-minute performance takes up the essential motifs of the state of melancholy, its diffuseness, being in-between and temporality. The beginning of the performance is dependent on the input of the audience. https://www.goplasticcompany.de/melancholic-marathon/
Cindy Hammer, born in 1989, studied stage dance at the Palucca University of Dance Dresden. She is co-founder and artistic director of her company go plastic. Her work as a dancer, performer and choreographer constantly brings her into new (inter)national constellations and contexts. She has worked as a dancer and performer with artists such as: Paula Rosolen/Haptic Hide, Johanna Roggan/ the guts company, Romy Schwarzer, Anna Till, Alexandra Börner, Barbara Lubich, Charles Washington, Joseph Hernandez, Wiete Sommer, Fabrice Mazliah and internationally with Avatara Ayuso, Rosie Herrera, Vera Ilona Stierli, Ted Stoffer, Amanda K. Miller, Yuval Pick, Sunny Yang and many more. She sees her work focus in Dresden, since 2016 she is one of the Associated Artists in HELLERAU - European Center for the Arts in Dresden. She has been actively involved in TanzNetzDresden since 2010 and has been on the board of TNDD e.V. since the association was founded in 2020. She was a member of several advisory boards and juries such as the Advisory Board Performing Arts, Cultural Foundation of the Free State of Saxony, TANZPAKT in residence Jury 2024, Selection Jury Scholarships Performing Arts, Leipzig, etc. She has been nominated and awarded several times for her artistic work (Arnhold-Esther-Seligmann Scholarship 2009, Arras Prize 2013, Dresden Art and Science Prize 2017, Saxon Dance Prize 2019, Caroline Neubert Scholarship 2022)
Karolin Stächele (Freiburg)
YOU HAVE NO IDEA!
A dance solo about powerlessness, shame, strength and resistance.
Choreography & artistic direction: Karolin Stächele
Dance & co-creation: Olivia Grassot
Music: Paul Tinsley
Sponsored by the Cultural Office of the City of Freiburg. With the kind support of bewegungs-art freiburg.
Climate change, species extinction, endangered democracies - the world is hurtling towards extinction, fear, melancholy and cynicism are spreading. And what about us? We read, we scroll, we instagram. We watch the world crumble and sink, shifting our responsibility onto others. We try to heal in ourselves what could only be healed outside in the world, if at all. We close ourselves off because we can't cope with the chaos and unspeakable brutality of the world anyway.
Karolin Stächele continues her multi-year research into apocalyptic discourse in a solo with dancer Olivia Grassot: the struggle of the inner state towards change is revealed in Grassot's dance in a constant crescendo of physical and atmospheric space between pause and rage, between germinating hope and gradual resistance. In close contact with the audience, she creates a danced statement, a partisanship for a common future.
Karolin Stächele (Germany) completed her training at bewegungs-art freiburg, the center for dance, improvisation and performance. She has been working as a freelance choreographer, dancer, performer and dance teacher since 2012 and has been creating full-length productions for various theaters and spaces as artistic director under the label DAGADA dance since 2014. She has shown her work nationally and internationally in Freiburg, Berlin, Leipzig, Cologne, Basel/Switzerland, Brest/France, Haarlem/Netherlands and Prague/Czech Republic, among others. In 2018, she received the Innovation Prize for Socioculture and the BKM Prize for Cultural Education for a project she artistically led with refugees. She is co-founder of tanznetzfreiburg and has been co-director of the education programs at bewegungs-art freiburg since September 2021. www.dagada.dance / image-trailer: https://vimeo.com/709528306
Olivia Grassot (Belgium) is a freelance movement artist. She graduated from the Rambert School of Ballet and Contemporary Dance in London in 2019. Since then, Olivia has performed works by Jason Mabana, Oscar Schlemmer, Magnus Westwell, Lin Wen- Chung, Cheng Yi-wen, Roberta Ferrara, Karolin Stächele and Brandon Lagaert - in the UK, Europe and China. She has worked with various companies such as Kennedy Muntanga Dance Theatre, Equilibrio Dinamico, Royal Opera House, B21 Company, Matsena Productions and DAGADA dance. Alongside her work as a dancer, Olivia creates her own work, teaches and choreographs across Europe and the UK. She was co-choreographer of the collective AOmaon. She has also worked as a rehearsal director for Matsena Productions, KMDT and Magnus Westwell. www.oliviagrassot.com/
Maria Kobzeva (Frankfurt)
MAYBE WE'LL SEE
Choreography, artistic direction: Maria Kobzeva
Dance, creation: Sandra Domnick
“Maybe we'll see” explores the inner conflict between identity and social roles and poses the question of how everyday life affects our mental state. The piece describes the struggle to free oneself from monotonous routines, both physical and digital, and addresses the influence of external pressure and expectations. The performance explores how past experiences influence our decisions and ultimately asks whether we can really free ourselves from them.
Maria Kobzeva (choreographer/dancer/teacher) was born in St. Petersburg and studied at the Vaganova Ballet Academy. Upon graduation, she joined SPBT Theater touring worldwide with a broad classical repertoire. To expand her movement knowledge, she studied contemporary dance at Frankfurt’s University of Performing Arts, where she worked with various choreographers and co-created interdisciplinary projects. She received multiple scholarships and graduated with the Alix Steilberger Prize. Maria's choreographic practice includes solo, duo, and group pieces, as well as theater productions and film works. In 2019, she received the Audience Awards for two choreographies. She currently collaborates, creates, dances, and teaches in various contexts for different age groups and levels.
Sandra Domnick is a freelance dancer, choreographer and dance mediator. She graduated from the Academy of Performing Arts in Moscow with a ballet diploma and later from the HfMDK Frankfurt with a Bachelor of Arts. In recent years, she has worked with numerous choreographers and institutions and created her own works. Sandra currently performs in Hessen, creates new works, takes part in numerous further training courses and teaches there.
Program in Dresden on Friday, 25 October 2024, 8 pm
Romy Schwarzer (Dresden): “Serbski Kosmus / Einblick “
Eva Krause (Freiburg): ‘OneBodyOrchestra’
Felix Chang (Frankfurt am Main) ”Wú | 壹”
TENZA, Pfotenhauerstr. 59 HH01307 Dresden
Program in Freiburg on Friday, 06 December 2024, 8 pm
Marion Plantey (Frankfurt am Main): “HUG”
Sophia Barr (Freiburg) “Cette pierre qui marche sur l'eau et refuse obstinément d'y couler - A Stone That Walks on Water and Stubbornly Refuses to Sink”
João Pedro de Paula (Dresden): “The Percin Show”
DAS SÜDUFER, Haslacherstr. 41, 79115 Freiburg
Ein Projekt von TanzNetzDresden. Gefördert vom Amt für Kultur und Denkmalschutz. Gefördert von der Kulturstiftung des Freistaates Sachsen. Diese Maßnahme wird mitfinanziert durch Steuermittel auf Grundlage des vom Sächsischen Landtag beschlossenen Haushalts.
Unterstützt durch das NATIONALE PERFORMANCE NETZ Impulsförderung Tanz & Theater, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien, sowie den Kultur- und Kunstministerien der Länder.